Discussion about this post

User's avatar
Jeffrey D. McSwain's avatar

Thanks for the open invitation to review your writing in public and in real time. There are many who would like to improve their skills, and I feel that I can help a lot of people at once through this correspondence. I'm not an expert, but I have the patience and love to try. Now to it:

Love the chapter title and the subtitle verbiage. Your quirky descriptions and pairing of odd contrasting elements always delight. Like when you said you and the suitcase were million milers.

Repetition, however, can tire a reader out, and word repetition in unvarying subject/verb placement can get as stale as that hotel room you complained about that's been empty too long. Your chapter lags under the proliferation of tired and overused I's--as in capital "I", rhymes with "aye." In order to keep eyes engaged, you're going to have to cut out a lot of those letter I's. In paragraph two, there is an I in every sentence, and one of the sentences has three.

Another thing happening here with changing the scene multiple times is that it can start to feel a little like a scavenger hunt--or in this case a "sensory problem sight-seeing trip." There are some really great observations throughout, but we don't want the reader to have to stumble around too much to collect them, and wonder for too long if these details are leading up to a grand revelation. Like maybe all of your tired sensory challenge baggage has been with you so long you can't tell where your baggage ends and your personality begins. Sometimes you think it might be better to let your luggage ride business class and just weigh and check yourself in at the front desk. That option has less people to have to talk to, and comes with several extra conveyor belt rides. (Sorry, I think I have channeled your sense of humor and quite enjoy it).

Towards the end of the chapter you might be able to hint at a bigger payoff accompanying the unpacking of your baggage and the witnessing of the times you got your passport stamps in elementary, high school, and higher education. Give the reader some kind of treat they want to keep shaking the vending machine for. In this case, help the reader understand that living without a social map is frustrating on one hand, but that you also are seeing some things "off grid" that most people miss.

But we will be able to relate--your challenges are amplifications of the anxieties we all feel. I think that might be where some real treasure is. Perhaps the rarified anxiety and heightened drama of your everyday experience can be a source of delight for the reader and an invitation to hilarity? And if we read you right, then we might even stop being so hard on ourselves, and look for the humor in our common foibles and constant tragedies. Maybe we'll join you on the conveyor belt and ride in the belly of the plane.

Maybe that is exactly what you are offering on this voyage, called a "book."

It is fun to see this taking shape. Who knows, you might even title the book something quirky, like, "Life on the Conveyor Belt: Enjoying Life with your Baggage". If you can hook into some overarching descriptor that encapsulates your misadventures, you might capture a lot of the right kind of "eyes." You might be there with navigating the world with no social map. But turn it into something quirky. You do that so well. Looking forward to the next iteration.

Chris Gunderson's avatar

Love your prose style! Can't tell you how much I identify with your aversion to high-word/low-content "professional" exchanges, social-for-the-sake-of-social, and the overuse/misuse of"innovate." May or may not be interesting to you, but at age 71 I was just diagnosed with ADHD. Explains a lot for me. Rock on!

3 more comments...

No posts

Ready for more?